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Cultural revolution and political ambivalence in Zhao Xiaosheng's two ballades for piano solo

The ascendancy of China's Cultural Revolution led to a purge of the rightists, including musicians. This article unveils composer Zhao Xiaosheng's emotional entanglement of fear and suppressed hostility toward the revolution, reflected in the political and artistic ambivalence in his two b...

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Main Authors: Ke, Xue, Ying, Loo Fung, Chia, Loo Fung, Xiaohang, Wang
Format: Article
Published: Univ Ljubljani Oddelek Musikologijo 2021
Subjects:
M Music
Online Access:http://eprints.um.edu.my/26449/
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spelling my.um.eprints.264492022-03-03T06:40:46Z http://eprints.um.edu.my/26449/ Cultural revolution and political ambivalence in Zhao Xiaosheng's two ballades for piano solo Ke, Xue Ying, Loo Fung Chia, Loo Fung Xiaohang, Wang M Music The ascendancy of China's Cultural Revolution led to a purge of the rightists, including musicians. This article unveils composer Zhao Xiaosheng's emotional entanglement of fear and suppressed hostility toward the revolution, reflected in the political and artistic ambivalence in his two ballades for solo piano composed after his father's death. Univ Ljubljani Oddelek Musikologijo 2021 Article PeerReviewed Ke, Xue and Ying, Loo Fung and Chia, Loo Fung and Xiaohang, Wang (2021) Cultural revolution and political ambivalence in Zhao Xiaosheng's two ballades for piano solo. Muzikoloski Zbornik, 57 (1). pp. 149-175. ISSN 0580-373X, DOI https://doi.org/10.4312/mz.57.1.149-175 <https://doi.org/10.4312/mz.57.1.149-175>. 10.4312/mz.57.1.149-175
institution Universiti Malaya
building UM Library
collection Institutional Repository
continent Asia
country Malaysia
content_provider Universiti Malaya
content_source UM Research Repository
url_provider http://eprints.um.edu.my/
topic M Music
spellingShingle M Music
Ke, Xue
Ying, Loo Fung
Chia, Loo Fung
Xiaohang, Wang
Cultural revolution and political ambivalence in Zhao Xiaosheng's two ballades for piano solo
description The ascendancy of China's Cultural Revolution led to a purge of the rightists, including musicians. This article unveils composer Zhao Xiaosheng's emotional entanglement of fear and suppressed hostility toward the revolution, reflected in the political and artistic ambivalence in his two ballades for solo piano composed after his father's death.
format Article
author Ke, Xue
Ying, Loo Fung
Chia, Loo Fung
Xiaohang, Wang
author_facet Ke, Xue
Ying, Loo Fung
Chia, Loo Fung
Xiaohang, Wang
author_sort Ke, Xue
title Cultural revolution and political ambivalence in Zhao Xiaosheng's two ballades for piano solo
title_short Cultural revolution and political ambivalence in Zhao Xiaosheng's two ballades for piano solo
title_full Cultural revolution and political ambivalence in Zhao Xiaosheng's two ballades for piano solo
title_fullStr Cultural revolution and political ambivalence in Zhao Xiaosheng's two ballades for piano solo
title_full_unstemmed Cultural revolution and political ambivalence in Zhao Xiaosheng's two ballades for piano solo
title_sort cultural revolution and political ambivalence in zhao xiaosheng's two ballades for piano solo
publisher Univ Ljubljani Oddelek Musikologijo
publishDate 2021
url http://eprints.um.edu.my/26449/
_version_ 1735409414306791424
score 13.211869

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