East wind breaks: identification of Zhongguofeng music as a form of “Chinese crossover” and “hybrid thinking” in contemporary mandopop
Since 2000, the phenomenal rise of Jay Chou, an iconic pop artist from Taiwan, has evoked discussions on Mandopop scene. This study aims to conduct a micro-analysis of selected music samples from Chou between 2000 and 2010 in order to identify Zhongguofeng music, which employs Phillip Tagg’s music a...
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| Main Authors: | , , , , |
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| Format: | Article |
| Language: | en |
| Published: |
Universitas Negeri Semarang
2024
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| Online Access: | http://psasir.upm.edu.my/id/eprint/116008/1/116008.pdf http://psasir.upm.edu.my/id/eprint/116008/ https://journal.unnes.ac.id/journals/harmonia/article/view/13253 |
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