The reform of Chinese flower and bird painting from 1949 to 1966 - taking the "Beijing-Tianjin painting school" As an example
This paper takes the development context and reasons of the reform of flower-and-bird painting from 1949 to 1966 as the starting point, applies iconography theory and Chinese traditional aesthetics theory, takes the works of representative painters of the "Beijing-Tianjin School of Painting&quo...
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| Main Authors: | , |
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| Format: | Proceedings |
| Language: | en |
| Published: |
Akademi Seni dan Teknologi Kreatif, Universiti Malaysia Sabah
2024
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| Subjects: | |
| Online Access: | https://eprints.ums.edu.my/id/eprint/43091/1/FULL%20TEXT.pdf https://eprints.ums.edu.my/id/eprint/43091/ https://upc.ums.edu.my/event/49/attachments/27/279/E-Prosiding%20PASTIK24.pdf |
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