Merleau-Ponty, Godard, Sobchack and the spatial aesthetics of Rashomon / Gopalan Ravindran
Maurice Merleau-Ponty's phenomenological theories have been an important source of inspiration for film theorists like Vivian Sobchack and film makers like Jean-Luc Godard. The Cartesian dichotomy between the subject and object became outmoded with the advent of Merleau-Ponty's conception...
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| Format: | Article |
| Language: | en |
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UPENA
2006
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| Online Access: | https://ir.uitm.edu.my/id/eprint/11599/1/AJ_GOPALAN%20RAVINDRAN%20JSM%2006.pdf https://ir.uitm.edu.my/id/eprint/11599/ |
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