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Visualizing Islamic law and values in Semerah Padi (1956): P. Ramlee as cinematographic auteur

In film studies, the Auteur Theory is mainly employed to explore film directors’ signature styles in creating their mastery artifacts.Individual style of a director in filmmaking is based on his/her preferences; genre, theme, mise-en-scéne, cinematography or even casts line-up.Grounded by American a...

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Main Authors: Mohd Zaki, Nurul Ezzati Aisyaa, Mustaffa, Che Su, Irmawati, Noer Doddy
Format: Article
Language:English
Published: Elsevier Ltd. 2014
Subjects:
BP Islam. Bahaism. Theosophy, etc
PN1993 Motion Pictures
Online Access:http://repo.uum.edu.my/13052/1/pro48.pdf
http://repo.uum.edu.my/13052/
http://dx.doi.org/10.1016/j.sbspro.2014.10.303
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spelling my.uum.repo.130522016-05-23T06:25:07Z http://repo.uum.edu.my/13052/ Visualizing Islamic law and values in Semerah Padi (1956): P. Ramlee as cinematographic auteur Mohd Zaki, Nurul Ezzati Aisyaa Mustaffa, Che Su Irmawati, Noer Doddy BP Islam. Bahaism. Theosophy, etc PN1993 Motion Pictures In film studies, the Auteur Theory is mainly employed to explore film directors’ signature styles in creating their mastery artifacts.Individual style of a director in filmmaking is based on his/her preferences; genre, theme, mise-en-scéne, cinematography or even casts line-up.Grounded by American auteur scholar, Andrew Sarris's idea of ‘how’ in style and techniques a director conveys ‘what’ in film storytelling, this paper looks at P. Ramlee's cinematographic style in expressing Islamic notion in his 1956 film, Semerah Padi.Qualitative content analysis was conducted on the film in order to identify P. Ramlee's cinematographic tendencies and by taking up a semiotics approach; the researcher interpreted and discussed his distinctive style as an auteur statured filmmaker. Elsevier Ltd. 2014 Article PeerReviewed application/pdf en cc_by_nc_nd http://repo.uum.edu.my/13052/1/pro48.pdf Mohd Zaki, Nurul Ezzati Aisyaa and Mustaffa, Che Su and Irmawati, Noer Doddy (2014) Visualizing Islamic law and values in Semerah Padi (1956): P. Ramlee as cinematographic auteur. Procedia - Social and Behavioral Sciences, 155. pp. 341-347. ISSN 1877-0428 http://dx.doi.org/10.1016/j.sbspro.2014.10.303 doi:10.1016/j.sbspro.2014.10.303
institution Universiti Utara Malaysia
building UUM Library
collection Institutional Repository
continent Asia
country Malaysia
content_provider Universiti Utara Malaysia
content_source UUM Institutionali Repository
url_provider http://repo.uum.edu.my/
language English
topic BP Islam. Bahaism. Theosophy, etc
PN1993 Motion Pictures
spellingShingle BP Islam. Bahaism. Theosophy, etc
PN1993 Motion Pictures
Mohd Zaki, Nurul Ezzati Aisyaa
Mustaffa, Che Su
Irmawati, Noer Doddy
Visualizing Islamic law and values in Semerah Padi (1956): P. Ramlee as cinematographic auteur
description In film studies, the Auteur Theory is mainly employed to explore film directors’ signature styles in creating their mastery artifacts.Individual style of a director in filmmaking is based on his/her preferences; genre, theme, mise-en-scéne, cinematography or even casts line-up.Grounded by American auteur scholar, Andrew Sarris's idea of ‘how’ in style and techniques a director conveys ‘what’ in film storytelling, this paper looks at P. Ramlee's cinematographic style in expressing Islamic notion in his 1956 film, Semerah Padi.Qualitative content analysis was conducted on the film in order to identify P. Ramlee's cinematographic tendencies and by taking up a semiotics approach; the researcher interpreted and discussed his distinctive style as an auteur statured filmmaker.
format Article
author Mohd Zaki, Nurul Ezzati Aisyaa
Mustaffa, Che Su
Irmawati, Noer Doddy
author_facet Mohd Zaki, Nurul Ezzati Aisyaa
Mustaffa, Che Su
Irmawati, Noer Doddy
author_sort Mohd Zaki, Nurul Ezzati Aisyaa
title Visualizing Islamic law and values in Semerah Padi (1956): P. Ramlee as cinematographic auteur
title_short Visualizing Islamic law and values in Semerah Padi (1956): P. Ramlee as cinematographic auteur
title_full Visualizing Islamic law and values in Semerah Padi (1956): P. Ramlee as cinematographic auteur
title_fullStr Visualizing Islamic law and values in Semerah Padi (1956): P. Ramlee as cinematographic auteur
title_full_unstemmed Visualizing Islamic law and values in Semerah Padi (1956): P. Ramlee as cinematographic auteur
title_sort visualizing islamic law and values in semerah padi (1956): p. ramlee as cinematographic auteur
publisher Elsevier Ltd.
publishDate 2014
url http://repo.uum.edu.my/13052/1/pro48.pdf
http://repo.uum.edu.my/13052/
http://dx.doi.org/10.1016/j.sbspro.2014.10.303
_version_ 1644281072411738112
score 13.211869

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