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Filem Melayu 1930an-1960an Sebagai Citra Budaya dan Sejarah Negara

This research is an analysis on Malay films of the 1930s to the 1960s. The objective of this research is to determine whether the Malay films of these period portray our nation's cultural and historical perspective. Content analysis is the methodology chosen by this research, applying related s...

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Main Author: Jins, Shamsudin
Format: Thesis
Language:English
Published: 2010
Subjects:
PN1993 Motion Pictures
Online Access:https://etd.uum.edu.my/3657/1/s91451.pdf
https://etd.uum.edu.my/3657/
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spelling my.uum.etd.36572023-10-29T08:40:27Z https://etd.uum.edu.my/3657/ Filem Melayu 1930an-1960an Sebagai Citra Budaya dan Sejarah Negara Jins, Shamsudin PN1993 Motion Pictures This research is an analysis on Malay films of the 1930s to the 1960s. The objective of this research is to determine whether the Malay films of these period portray our nation's cultural and historical perspective. Content analysis is the methodology chosen by this research, applying related sociological and historical theories. As a general overview, Malay films made their debut in Singapore in the 1930s. By the 1950s production moved to Kuala Lumpur. Malay films in this context were imbued not only with the entertainment milieu but represent our cultural and historical record. The research findings based on the 50 old Malay films chosen revealed that the films are a bundant with various cultural and historical inquiries of our nation. In Addition, the language aspect is also found to be predominant in these old Malay films. The cultural topography of the films are found to be attached to the socio-cultural, socio-political and socio-economical factors that existed concurrently within the nation's landscape that is also a projection of its assimilation of the foreign cultural influence. From the language perspective, the research discovered that the films being researched applied many mixed Malay language such as the Betawi, Riau Malay languages as well as language of the Palace courts. These films too have begun to use the mixed-language (Bahasa Rojak) of our society. The mixed-languages were found to have been used in Singapore priop to its arrival in Kuala Lumpur. Base on the analysis, it is found that the Malay old films projected historical elements in its themes, narratives, names of character and its landscape. In conclusion, the old Malay films being researched has given us an overture that it is not designated as a mere medium of entertainment but on a larger context, it is a valuable and significant medium of recording our nation's passage of the past. 2010-03 Thesis NonPeerReviewed text en https://etd.uum.edu.my/3657/1/s91451.pdf Jins, Shamsudin (2010) Filem Melayu 1930an-1960an Sebagai Citra Budaya dan Sejarah Negara. PhD. thesis, Universiti Utara Malaysia.
institution Universiti Utara Malaysia
building UUM Library
collection Institutional Repository
continent Asia
country Malaysia
content_provider Universiti Utara Malaysia
content_source UUM Electronic Theses
url_provider http://etd.uum.edu.my/
language English
topic PN1993 Motion Pictures
spellingShingle PN1993 Motion Pictures
Jins, Shamsudin
Filem Melayu 1930an-1960an Sebagai Citra Budaya dan Sejarah Negara
description This research is an analysis on Malay films of the 1930s to the 1960s. The objective of this research is to determine whether the Malay films of these period portray our nation's cultural and historical perspective. Content analysis is the methodology chosen by this research, applying related sociological and historical theories. As a general overview, Malay films made their debut in Singapore in the 1930s. By the 1950s production moved to Kuala Lumpur. Malay films in this context were imbued not only with the entertainment milieu but represent our cultural and historical record. The research findings based on the 50 old Malay films chosen revealed that the films are a bundant with various cultural and historical inquiries of our nation. In Addition, the language aspect is also found to be predominant in these old Malay films. The cultural topography of the films are found to be attached to the socio-cultural, socio-political and socio-economical factors that existed concurrently within the nation's landscape that is also a projection of its assimilation of the foreign cultural influence. From the language perspective, the research discovered that the films being researched applied many mixed Malay language such as the Betawi, Riau Malay languages as well as language of the Palace courts. These films too have begun to use the mixed-language (Bahasa Rojak) of our society. The mixed-languages were found to have been used in Singapore priop to its arrival in Kuala Lumpur. Base on the analysis, it is found that the Malay old films projected historical elements in its themes, narratives, names of character and its landscape. In conclusion, the old Malay films being researched has given us an overture that it is not designated as a mere medium of entertainment but on a larger context, it is a valuable and significant medium of recording our nation's passage of the past.
format Thesis
author Jins, Shamsudin
author_facet Jins, Shamsudin
author_sort Jins, Shamsudin
title Filem Melayu 1930an-1960an Sebagai Citra Budaya dan Sejarah Negara
title_short Filem Melayu 1930an-1960an Sebagai Citra Budaya dan Sejarah Negara
title_full Filem Melayu 1930an-1960an Sebagai Citra Budaya dan Sejarah Negara
title_fullStr Filem Melayu 1930an-1960an Sebagai Citra Budaya dan Sejarah Negara
title_full_unstemmed Filem Melayu 1930an-1960an Sebagai Citra Budaya dan Sejarah Negara
title_sort filem melayu 1930an-1960an sebagai citra budaya dan sejarah negara
publishDate 2010
url https://etd.uum.edu.my/3657/1/s91451.pdf
https://etd.uum.edu.my/3657/
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score 13.211869

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