Gender, Space, And Fantasy: Women’s Heterotopic Identities In Contemporary Japanese And Iranian Fiction
The growing body of studies on heterotopic cartographies and literary works have drawn attention to the profound importance of cultural and political resistance as well as to women’s own agency in reconfigurations of spatial arrangements. Drawing upon Foucault’s theorization of heterotopia, this com...
Saved in:
| Main Author: | |
|---|---|
| Format: | Conference or Workshop Item |
| Language: | English |
| Published: |
2022
|
| Subjects: | |
| Online Access: | http://eprints.usm.my/55020/1/Pages%20from%20Prosiding-ICMAEL-22.pdf http://eprints.usm.my/55020/ |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| Summary: | The growing body of studies on heterotopic cartographies and literary works have drawn attention to the profound importance of cultural and political resistance as well as to women’s own agency in reconfigurations of spatial arrangements. Drawing upon Foucault’s theorization of heterotopia, this comparative study aims to examine the Japanese writer Hiroko Oyamada’s The Hole (2014)
and the Iranian novelist Shokoofeh Azar’s The Enlightenment of the Greengage Tree (2017) as case studies of what I label heterotopic aesthetics: a creatively different [magical] array of emplacements and embodiments (recreation of other spaces and bodies) whereby the mainstream prescriptions of gender relations are dismantled and a new order of beings is recreated at the same time. The novels chronicle the stories of two female characters (a Japanese woman called Asahi
and an Iranian female character named Bahar) in the spatially and socially peripheral settings of a Japanese countryside and a North Iran rural area called Razan. I argue that both novels reflect and contest dominant discourses on space, gender and identity through a range of phenomena that are demonstrators of heterotopia: discordant universes, non-linear time, defamiliarized worlds, and
volatile subjectivities. The study concludes that both novels derive from and undermine maledominated discourses of utopianism and social realism. |
|---|