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Contesting heritage in the continuity of African traditional dances: an account of the jerusarema/mbende traditional dance of Zimbabwe

In African societies traditional dances are a form of cultural expression of emotional life occupying a prominent socio-cultural status. Due to colonisation, westernisation and Christianity many African traditional dances have changed in terms of the aesthetics. One of several traditional dances in...

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Main Author: Mapira, Nesta Nyaradzo
Format: Conference or Workshop Item
Language:English
Published: Faculty of Music and Performing Arts, Universiti Pendidikan Sultan Idris 2016
Online Access:http://psasir.upm.edu.my/id/eprint/64484/1/IMPAC2016-1.pdf
http://psasir.upm.edu.my/id/eprint/64484/
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spelling my.upm.eprints.644842018-07-06T09:11:33Z http://psasir.upm.edu.my/id/eprint/64484/ Contesting heritage in the continuity of African traditional dances: an account of the jerusarema/mbende traditional dance of Zimbabwe Mapira, Nesta Nyaradzo In African societies traditional dances are a form of cultural expression of emotional life occupying a prominent socio-cultural status. Due to colonisation, westernisation and Christianity many African traditional dances have changed in terms of the aesthetics. One of several traditional dances in Zimbabwe that has undergone continual socio-cultural and aesthetic change is Jerusarema from the Murehwa and Uzumba Maramba Pfungwe districts of Mashonaland Eastern province. In 2008, jerusarema dance, a widely recognised traditional and cultural expression in Zimbabwe, was included in the list of the United Nations Educational Scientific and Cultural Organisation’s (UNESCO’s) masterpieces of oral and intangible heritage of humanity. The listing made jerusarema one of the few African traditional dances accorded this recognition. Because of this recognition, jerusarema dance has been endorsed and used in multiple contexts by some performance ensembles such as Swerengoma, Ngomadzepasi and Dombodzvuku as promoted by prominent dance festivals. These ensembles assert their different agendas through music, props, instruments and western dancing styles often to the detriment of the perceived originality and authenticity of the dance. Drawing upon documentary video evidence from the National Arts Council of Zimbabwe and workshop notes, this paper examines issues of continuity and change in performance contexts, choreographies and principle performativity aesthetics. Videos recorded in 2015, showing Ngoma Dzepasi, Swerengoma and Dombodzvuku ensembles performing the dance, will be used to critique issues guided by jerusarema dance workshop notes taken whilst teaching music at Vumba Primary school 2014. I argue that UNESCO’s recognition of jerusarema dance as an intangible cultural heritage has, on the one hand, partially revived interest among Zimbabweans in jerusarema dance and, on the other hand, potentially compromised aesthetic principles and musical elements of jerusarema dance. Faculty of Music and Performing Arts, Universiti Pendidikan Sultan Idris 2016 Conference or Workshop Item PeerReviewed text en http://psasir.upm.edu.my/id/eprint/64484/1/IMPAC2016-1.pdf Mapira, Nesta Nyaradzo (2016) Contesting heritage in the continuity of African traditional dances: an account of the jerusarema/mbende traditional dance of Zimbabwe. In: 2nd International Music and Performing Arts Conference (IMPAC2016), 22-24 Nov. 2016, Faculty of Music and Performing Arts, Universiti Pendidikan Sultan Idris. (pp. 274-281).
institution Universiti Putra Malaysia
building UPM Library
collection Institutional Repository
continent Asia
country Malaysia
content_provider Universiti Putra Malaysia
content_source UPM Institutional Repository
url_provider http://psasir.upm.edu.my/
language English
description In African societies traditional dances are a form of cultural expression of emotional life occupying a prominent socio-cultural status. Due to colonisation, westernisation and Christianity many African traditional dances have changed in terms of the aesthetics. One of several traditional dances in Zimbabwe that has undergone continual socio-cultural and aesthetic change is Jerusarema from the Murehwa and Uzumba Maramba Pfungwe districts of Mashonaland Eastern province. In 2008, jerusarema dance, a widely recognised traditional and cultural expression in Zimbabwe, was included in the list of the United Nations Educational Scientific and Cultural Organisation’s (UNESCO’s) masterpieces of oral and intangible heritage of humanity. The listing made jerusarema one of the few African traditional dances accorded this recognition. Because of this recognition, jerusarema dance has been endorsed and used in multiple contexts by some performance ensembles such as Swerengoma, Ngomadzepasi and Dombodzvuku as promoted by prominent dance festivals. These ensembles assert their different agendas through music, props, instruments and western dancing styles often to the detriment of the perceived originality and authenticity of the dance. Drawing upon documentary video evidence from the National Arts Council of Zimbabwe and workshop notes, this paper examines issues of continuity and change in performance contexts, choreographies and principle performativity aesthetics. Videos recorded in 2015, showing Ngoma Dzepasi, Swerengoma and Dombodzvuku ensembles performing the dance, will be used to critique issues guided by jerusarema dance workshop notes taken whilst teaching music at Vumba Primary school 2014. I argue that UNESCO’s recognition of jerusarema dance as an intangible cultural heritage has, on the one hand, partially revived interest among Zimbabweans in jerusarema dance and, on the other hand, potentially compromised aesthetic principles and musical elements of jerusarema dance.
format Conference or Workshop Item
author Mapira, Nesta Nyaradzo
spellingShingle Mapira, Nesta Nyaradzo
Contesting heritage in the continuity of African traditional dances: an account of the jerusarema/mbende traditional dance of Zimbabwe
author_facet Mapira, Nesta Nyaradzo
author_sort Mapira, Nesta Nyaradzo
title Contesting heritage in the continuity of African traditional dances: an account of the jerusarema/mbende traditional dance of Zimbabwe
title_short Contesting heritage in the continuity of African traditional dances: an account of the jerusarema/mbende traditional dance of Zimbabwe
title_full Contesting heritage in the continuity of African traditional dances: an account of the jerusarema/mbende traditional dance of Zimbabwe
title_fullStr Contesting heritage in the continuity of African traditional dances: an account of the jerusarema/mbende traditional dance of Zimbabwe
title_full_unstemmed Contesting heritage in the continuity of African traditional dances: an account of the jerusarema/mbende traditional dance of Zimbabwe
title_sort contesting heritage in the continuity of african traditional dances: an account of the jerusarema/mbende traditional dance of zimbabwe
publisher Faculty of Music and Performing Arts, Universiti Pendidikan Sultan Idris
publishDate 2016
url http://psasir.upm.edu.my/id/eprint/64484/1/IMPAC2016-1.pdf
http://psasir.upm.edu.my/id/eprint/64484/
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score 13.211869

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