Gendang Melayu Sarawak (GMS) – Sarawak Malay Drum, the dying and forgotten tradition

This work was conducted using the Picoscope signal extraction procedure, which revealed significant insights regarding the belian wood and its application in Gendang Melayu Sarawak (GMS) production. The amplitude of belian wood GMS signal remains constant, allowing it to sustain its timbre for a lon...

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Main Authors: Aaliyawani E., Sinin, Sinin, Hamdan, Khairul Anwar, Mohamad Said, Santrol, Abdullah, Ahmad F., Musib
Format: Article
Language:English
Published: NC State University 2024
Subjects:
Online Access:http://ir.unimas.my/id/eprint/44298/1/Gendang.pdf
http://ir.unimas.my/id/eprint/44298/
https://bioresources.cnr.ncsu.edu/resources/gendang-melayu-sarawak-gms-sarawak-malay-drum-the-dying-and-forgotten-tradition/
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spelling my.unimas.ir.442982024-02-09T02:09:56Z http://ir.unimas.my/id/eprint/44298/ Gendang Melayu Sarawak (GMS) – Sarawak Malay Drum, the dying and forgotten tradition Aaliyawani E., Sinin Sinin, Hamdan Khairul Anwar, Mohamad Said Santrol, Abdullah Ahmad F., Musib P Philology. Linguistics PN Literature (General) This work was conducted using the Picoscope signal extraction procedure, which revealed significant insights regarding the belian wood and its application in Gendang Melayu Sarawak (GMS) production. The amplitude of belian wood GMS signal remains constant, allowing it to sustain its timbre for a longer duration compared to durian wood GMS using the same procedure. Considering that the dimensions of the big belian (BB) and big durian (BD) GMS are almost the same, both GMS yield almost the same note, i.e. G1# (51.9 Hz). Considering that the dimensions of both the small belian (SB) and small durian (SD) GMS are almost the same, both GMS yield almost similar note, i.e. F3 (174 Hz) and E3 (164 Hz). Although both BB and BD showed consistent harmonics, BD only displays 2 harmonics. The SB and SD both display consistent harmonics. Both BB and BD showed pleasing tonal qualities. These occurred due to the closeness of the principal overtones to the consonant interval. NC State University 2024 Article PeerReviewed text en http://ir.unimas.my/id/eprint/44298/1/Gendang.pdf Aaliyawani E., Sinin and Sinin, Hamdan and Khairul Anwar, Mohamad Said and Santrol, Abdullah and Ahmad F., Musib (2024) Gendang Melayu Sarawak (GMS) – Sarawak Malay Drum, the dying and forgotten tradition. BioResources, 19 (2). pp. 2065-2076. ISSN 1930-2126 https://bioresources.cnr.ncsu.edu/resources/gendang-melayu-sarawak-gms-sarawak-malay-drum-the-dying-and-forgotten-tradition/ DOI: 10.15376/biores.19.2.2065-2076
institution Universiti Malaysia Sarawak
building Centre for Academic Information Services (CAIS)
collection Institutional Repository
continent Asia
country Malaysia
content_provider Universiti Malaysia Sarawak
content_source UNIMAS Institutional Repository
url_provider http://ir.unimas.my/
language English
topic P Philology. Linguistics
PN Literature (General)
spellingShingle P Philology. Linguistics
PN Literature (General)
Aaliyawani E., Sinin
Sinin, Hamdan
Khairul Anwar, Mohamad Said
Santrol, Abdullah
Ahmad F., Musib
Gendang Melayu Sarawak (GMS) – Sarawak Malay Drum, the dying and forgotten tradition
description This work was conducted using the Picoscope signal extraction procedure, which revealed significant insights regarding the belian wood and its application in Gendang Melayu Sarawak (GMS) production. The amplitude of belian wood GMS signal remains constant, allowing it to sustain its timbre for a longer duration compared to durian wood GMS using the same procedure. Considering that the dimensions of the big belian (BB) and big durian (BD) GMS are almost the same, both GMS yield almost the same note, i.e. G1# (51.9 Hz). Considering that the dimensions of both the small belian (SB) and small durian (SD) GMS are almost the same, both GMS yield almost similar note, i.e. F3 (174 Hz) and E3 (164 Hz). Although both BB and BD showed consistent harmonics, BD only displays 2 harmonics. The SB and SD both display consistent harmonics. Both BB and BD showed pleasing tonal qualities. These occurred due to the closeness of the principal overtones to the consonant interval.
format Article
author Aaliyawani E., Sinin
Sinin, Hamdan
Khairul Anwar, Mohamad Said
Santrol, Abdullah
Ahmad F., Musib
author_facet Aaliyawani E., Sinin
Sinin, Hamdan
Khairul Anwar, Mohamad Said
Santrol, Abdullah
Ahmad F., Musib
author_sort Aaliyawani E., Sinin
title Gendang Melayu Sarawak (GMS) – Sarawak Malay Drum, the dying and forgotten tradition
title_short Gendang Melayu Sarawak (GMS) – Sarawak Malay Drum, the dying and forgotten tradition
title_full Gendang Melayu Sarawak (GMS) – Sarawak Malay Drum, the dying and forgotten tradition
title_fullStr Gendang Melayu Sarawak (GMS) – Sarawak Malay Drum, the dying and forgotten tradition
title_full_unstemmed Gendang Melayu Sarawak (GMS) – Sarawak Malay Drum, the dying and forgotten tradition
title_sort gendang melayu sarawak (gms) – sarawak malay drum, the dying and forgotten tradition
publisher NC State University
publishDate 2024
url http://ir.unimas.my/id/eprint/44298/1/Gendang.pdf
http://ir.unimas.my/id/eprint/44298/
https://bioresources.cnr.ncsu.edu/resources/gendang-melayu-sarawak-gms-sarawak-malay-drum-the-dying-and-forgotten-tradition/
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score 13.211869