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Camera movement in Martin Scorsese's films : an analysis of authorship from script to screen

This research applies the auteur theory to study a specific cinematic techniwue in the fils of Martin Scorsese: camera movement n the long take. Particular scenes with this type of shot in Mean Streets (1973), Goodfellas (1990), and Casino (1995) - all directed by Scorsese but using different cinem...

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Bibliographic Details
Main Author: Chua, Xian Jun
Format: Final Year Project Report
Language:English
English
Published: Universiti Malaysia Sarawak (UNIMAS) 2013
Subjects:
N Visual arts (General) For photography, see TR
Online Access:http://ir.unimas.my/id/eprint/18972/1/Camera%20movement%20in%20Martin%20%2824%20pages%29.pdf
http://ir.unimas.my/id/eprint/18972/9/Chua%28fulltext%29.pdf
http://ir.unimas.my/id/eprint/18972/
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spelling my.unimas.ir.189722023-12-01T07:00:28Z http://ir.unimas.my/id/eprint/18972/ Camera movement in Martin Scorsese's films : an analysis of authorship from script to screen Chua, Xian Jun N Visual arts (General) For photography, see TR This research applies the auteur theory to study a specific cinematic techniwue in the fils of Martin Scorsese: camera movement n the long take. Particular scenes with this type of shot in Mean Streets (1973), Goodfellas (1990), and Casino (1995) - all directed by Scorsese but using different cinematographers and writers - are analyzed to assess the true authorship of this camera movement. This research has then been applied in the production of a short film, in the same genre as the three afirementioned fils, featuring dynamic camera movement in a long take. Universiti Malaysia Sarawak (UNIMAS) 2013 Final Year Project Report NonPeerReviewed text en http://ir.unimas.my/id/eprint/18972/1/Camera%20movement%20in%20Martin%20%2824%20pages%29.pdf text en http://ir.unimas.my/id/eprint/18972/9/Chua%28fulltext%29.pdf Chua, Xian Jun (2013) Camera movement in Martin Scorsese's films : an analysis of authorship from script to screen. [Final Year Project Report] (Unpublished)
institution Universiti Malaysia Sarawak
building Centre for Academic Information Services (CAIS)
collection Institutional Repository
continent Asia
country Malaysia
content_provider Universiti Malaysia Sarawak
content_source UNIMAS Institutional Repository
url_provider http://ir.unimas.my/
language English
English
topic N Visual arts (General) For photography, see TR
spellingShingle N Visual arts (General) For photography, see TR
Chua, Xian Jun
Camera movement in Martin Scorsese's films : an analysis of authorship from script to screen
description This research applies the auteur theory to study a specific cinematic techniwue in the fils of Martin Scorsese: camera movement n the long take. Particular scenes with this type of shot in Mean Streets (1973), Goodfellas (1990), and Casino (1995) - all directed by Scorsese but using different cinematographers and writers - are analyzed to assess the true authorship of this camera movement. This research has then been applied in the production of a short film, in the same genre as the three afirementioned fils, featuring dynamic camera movement in a long take.
format Final Year Project Report
author Chua, Xian Jun
author_facet Chua, Xian Jun
author_sort Chua, Xian Jun
title Camera movement in Martin Scorsese's films : an analysis of authorship from script to screen
title_short Camera movement in Martin Scorsese's films : an analysis of authorship from script to screen
title_full Camera movement in Martin Scorsese's films : an analysis of authorship from script to screen
title_fullStr Camera movement in Martin Scorsese's films : an analysis of authorship from script to screen
title_full_unstemmed Camera movement in Martin Scorsese's films : an analysis of authorship from script to screen
title_sort camera movement in martin scorsese's films : an analysis of authorship from script to screen
publisher Universiti Malaysia Sarawak (UNIMAS)
publishDate 2013
url http://ir.unimas.my/id/eprint/18972/1/Camera%20movement%20in%20Martin%20%2824%20pages%29.pdf
http://ir.unimas.my/id/eprint/18972/9/Chua%28fulltext%29.pdf
http://ir.unimas.my/id/eprint/18972/
_version_ 1784518356239384576
score 13.211869

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