Staff View: The Hasapi of the Batak Toba from Sumatra Indonesia

The Hasapi of the Batak Toba from Sumatra Indonesia

The hasapi of the Batak Toba from Sumatra, Indonesia is a plucked bowl-lute chordophone. Hasapi is a fretless chordophone with two strings. The tuning for the hasapi used in this study is based on the transcription of the song ‘Horbo Paung’ played in F major by Sam Sitio. The tuning used for the 2nd...

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Main Authors:	Aaliyawani Ezzerin, Sinin, Sinin, Hamdan, Khairul Anwar, Mohamad Said, Ezra Alfandy, M Duin, Ahmad Fauzi, Musib
Format:	Article
Language:	English
Published:	North Carolina State University 2025
Subjects:	TT Handicrafts Arts and crafts
Online Access:	http://ir.unimas.my/id/eprint/46841/1/BioRes_20_1_1110_Sinin_HSD_Hasapi_Batak_Toba_Sumatra_23735%20%281%29.pdf http://ir.unimas.my/id/eprint/46841/ https://ojs.bioresources.com/index.php/BRJ/article/view/23735
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id	my.unimas.ir-46841
record_format	eprints
spelling	my.unimas.ir-468412024-12-09T03:34:48Z http://ir.unimas.my/id/eprint/46841/ The Hasapi of the Batak Toba from Sumatra Indonesia Aaliyawani Ezzerin, Sinin Sinin, Hamdan Khairul Anwar, Mohamad Said Ezra Alfandy, M Duin Ahmad Fauzi, Musib TT Handicrafts Arts and crafts The hasapi of the Batak Toba from Sumatra, Indonesia is a plucked bowl-lute chordophone. Hasapi is a fretless chordophone with two strings. The tuning for the hasapi used in this study is based on the transcription of the song ‘Horbo Paung’ played in F major by Sam Sitio. The tuning used for the 2nd string is C4 (Do for open string) followed by D4, E4, and F4 for 1st, 2nd, and 3rd finger, respectively. The 1st string was tuned to G4 (So for open string), followed by A4, B4, and C5 for 1st, 2nd, and 3rd finger, respectively. At higher notes (1st string) the spectra did not display many harmonics, i.e., less partials compared to the lower note (2nd string). Both strings showed a regular signal, whereas the highest note C5 (the highest fundamental frequency from the 1st string) showed an irregular pattern with no significant overtone frequency. The intensity of the partials in both strings displayed the reduction in amplitudes i.e. not proportional to increasing harmonic frequency. The timbre from Adobe Audition showed that the time frequency analysis (TFA) was in accordance with the Picoscope spectra. Only TFA from C5 showed irregular pattern with respect to the Picoscope output. North Carolina State University 2025 Article PeerReviewed text en http://ir.unimas.my/id/eprint/46841/1/BioRes_20_1_1110_Sinin_HSD_Hasapi_Batak_Toba_Sumatra_23735%20%281%29.pdf Aaliyawani Ezzerin, Sinin and Sinin, Hamdan and Khairul Anwar, Mohamad Said and Ezra Alfandy, M Duin and Ahmad Fauzi, Musib (2025) The Hasapi of the Batak Toba from Sumatra Indonesia. BioResources, 20 (1). pp. 1110-1126. ISSN 1930-2126 https://ojs.bioresources.com/index.php/BRJ/article/view/23735 DOI: 10.15376/biores.20.1.1110-1126
institution	Universiti Malaysia Sarawak
building	Centre for Academic Information Services (CAIS)
collection	Institutional Repository
continent	Asia
country	Malaysia
content_provider	Universiti Malaysia Sarawak
content_source	UNIMAS Institutional Repository
url_provider	http://ir.unimas.my/
language	English
topic	TT Handicrafts Arts and crafts
spellingShingle	TT Handicrafts Arts and crafts Aaliyawani Ezzerin, Sinin Sinin, Hamdan Khairul Anwar, Mohamad Said Ezra Alfandy, M Duin Ahmad Fauzi, Musib The Hasapi of the Batak Toba from Sumatra Indonesia
description	The hasapi of the Batak Toba from Sumatra, Indonesia is a plucked bowl-lute chordophone. Hasapi is a fretless chordophone with two strings. The tuning for the hasapi used in this study is based on the transcription of the song ‘Horbo Paung’ played in F major by Sam Sitio. The tuning used for the 2nd string is C4 (Do for open string) followed by D4, E4, and F4 for 1st, 2nd, and 3rd finger, respectively. The 1st string was tuned to G4 (So for open string), followed by A4, B4, and C5 for 1st, 2nd, and 3rd finger, respectively. At higher notes (1st string) the spectra did not display many harmonics, i.e., less partials compared to the lower note (2nd string). Both strings showed a regular signal, whereas the highest note C5 (the highest fundamental frequency from the 1st string) showed an irregular pattern with no significant overtone frequency. The intensity of the partials in both strings displayed the reduction in amplitudes i.e. not proportional to increasing harmonic frequency. The timbre from Adobe Audition showed that the time frequency analysis (TFA) was in accordance with the Picoscope spectra. Only TFA from C5 showed irregular pattern with respect to the Picoscope output.
format	Article
author	Aaliyawani Ezzerin, Sinin Sinin, Hamdan Khairul Anwar, Mohamad Said Ezra Alfandy, M Duin Ahmad Fauzi, Musib
author_facet	Aaliyawani Ezzerin, Sinin Sinin, Hamdan Khairul Anwar, Mohamad Said Ezra Alfandy, M Duin Ahmad Fauzi, Musib
author_sort	Aaliyawani Ezzerin, Sinin
title	The Hasapi of the Batak Toba from Sumatra Indonesia
title_short	The Hasapi of the Batak Toba from Sumatra Indonesia
title_full	The Hasapi of the Batak Toba from Sumatra Indonesia
title_fullStr	The Hasapi of the Batak Toba from Sumatra Indonesia
title_full_unstemmed	The Hasapi of the Batak Toba from Sumatra Indonesia
title_sort	hasapi of the batak toba from sumatra indonesia
publisher	North Carolina State University
publishDate	2025
url	http://ir.unimas.my/id/eprint/46841/1/BioRes_20_1_1110_Sinin_HSD_Hasapi_Batak_Toba_Sumatra_23735%20%281%29.pdf http://ir.unimas.my/id/eprint/46841/ https://ojs.bioresources.com/index.php/BRJ/article/view/23735
_version_	1818839387162542080
score	13.223943

The Hasapi of the Batak Toba from Sumatra Indonesia

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