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Interlocking Rhythmic Composition Style of Borneo Ketebong-The Gendang Pampat

This work was conducted using the PicoScope signal extraction and Adobe Audition procedure, which revealed significant insights regarding the Iban traditional drum called ketebong. Three ketebong of different lengths, i.e., long, medium, and short sizes were studied. The amplitude of the long ketebo...

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Main Authors: Aaliyawani Ezzerin, Sinin, Sinin, Hamdan, Khairul Anwar, Mohamad Said, Ezra A., M. Duin, Ahmad F., Musib
Format: Article
Language:English
Published: NC State University 2024
Subjects:
TT Handicrafts Arts and crafts
Online Access:http://ir.unimas.my/id/eprint/46643/1/Interlocking%20Rhythmic%20Composition.pdf
http://ir.unimas.my/id/eprint/46643/
https://bioresources.cnr.ncsu.edu/resources/interlocking-rhythmic-composition-style-of-borneo-ketebong-the-gendang-pampat/
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record_format eprints
spelling my.unimas.ir-466432024-11-18T03:44:29Z http://ir.unimas.my/id/eprint/46643/ Interlocking Rhythmic Composition Style of Borneo Ketebong-The Gendang Pampat Aaliyawani Ezzerin, Sinin Sinin, Hamdan Khairul Anwar, Mohamad Said Ezra A., M. Duin Ahmad F., Musib TT Handicrafts Arts and crafts This work was conducted using the PicoScope signal extraction and Adobe Audition procedure, which revealed significant insights regarding the Iban traditional drum called ketebong. Three ketebong of different lengths, i.e., long, medium, and short sizes were studied. The amplitude of the long ketebong signal remains constant, showing that it had sustained its timbre for a longer duration compared to medium and short ketebong. Considering the diameter, all ketebong are almost similar, all the ketebong yield fundamental frequency at 50.15 Hz (i.e., G1# ~51.9 Hz). Although all ketebong showed similar fundamental frequency, Adobe Audition showed that the long ketebong has a brighter sound than the medium ketebong followed by the short ketebong. The purpose of this study is to derive the musical qualities of Gendang Pampat (GP), with a particular emphasis on the ketebong performance technique. The goal is to produce a rhythmic composition that integrates and reinforces a connected, expressive, rhythmic musical arrangement. The study aims to establish a framework by investigating the interlocking of rhythmic of GP to generate musical interpretation for composing a new repertoire for GP performance. NC State University 2024 Article PeerReviewed text en http://ir.unimas.my/id/eprint/46643/1/Interlocking%20Rhythmic%20Composition.pdf Aaliyawani Ezzerin, Sinin and Sinin, Hamdan and Khairul Anwar, Mohamad Said and Ezra A., M. Duin and Ahmad F., Musib (2024) Interlocking Rhythmic Composition Style of Borneo Ketebong-The Gendang Pampat. BioResources, 19 (4). pp. 9447-9457. ISSN 1930-2126 https://bioresources.cnr.ncsu.edu/resources/interlocking-rhythmic-composition-style-of-borneo-ketebong-the-gendang-pampat/ DOI: 10.15376/biores.19.4.9447-9457
institution Universiti Malaysia Sarawak
building Centre for Academic Information Services (CAIS)
collection Institutional Repository
continent Asia
country Malaysia
content_provider Universiti Malaysia Sarawak
content_source UNIMAS Institutional Repository
url_provider http://ir.unimas.my/
language English
topic TT Handicrafts Arts and crafts
spellingShingle TT Handicrafts Arts and crafts
Aaliyawani Ezzerin, Sinin
Sinin, Hamdan
Khairul Anwar, Mohamad Said
Ezra A., M. Duin
Ahmad F., Musib
Interlocking Rhythmic Composition Style of Borneo Ketebong-The Gendang Pampat
description This work was conducted using the PicoScope signal extraction and Adobe Audition procedure, which revealed significant insights regarding the Iban traditional drum called ketebong. Three ketebong of different lengths, i.e., long, medium, and short sizes were studied. The amplitude of the long ketebong signal remains constant, showing that it had sustained its timbre for a longer duration compared to medium and short ketebong. Considering the diameter, all ketebong are almost similar, all the ketebong yield fundamental frequency at 50.15 Hz (i.e., G1# ~51.9 Hz). Although all ketebong showed similar fundamental frequency, Adobe Audition showed that the long ketebong has a brighter sound than the medium ketebong followed by the short ketebong. The purpose of this study is to derive the musical qualities of Gendang Pampat (GP), with a particular emphasis on the ketebong performance technique. The goal is to produce a rhythmic composition that integrates and reinforces a connected, expressive, rhythmic musical arrangement. The study aims to establish a framework by investigating the interlocking of rhythmic of GP to generate musical interpretation for composing a new repertoire for GP performance.
format Article
author Aaliyawani Ezzerin, Sinin
Sinin, Hamdan
Khairul Anwar, Mohamad Said
Ezra A., M. Duin
Ahmad F., Musib
author_facet Aaliyawani Ezzerin, Sinin
Sinin, Hamdan
Khairul Anwar, Mohamad Said
Ezra A., M. Duin
Ahmad F., Musib
author_sort Aaliyawani Ezzerin, Sinin
title Interlocking Rhythmic Composition Style of Borneo Ketebong-The Gendang Pampat
title_short Interlocking Rhythmic Composition Style of Borneo Ketebong-The Gendang Pampat
title_full Interlocking Rhythmic Composition Style of Borneo Ketebong-The Gendang Pampat
title_fullStr Interlocking Rhythmic Composition Style of Borneo Ketebong-The Gendang Pampat
title_full_unstemmed Interlocking Rhythmic Composition Style of Borneo Ketebong-The Gendang Pampat
title_sort interlocking rhythmic composition style of borneo ketebong-the gendang pampat
publisher NC State University
publishDate 2024
url http://ir.unimas.my/id/eprint/46643/1/Interlocking%20Rhythmic%20Composition.pdf
http://ir.unimas.my/id/eprint/46643/
https://bioresources.cnr.ncsu.edu/resources/interlocking-rhythmic-composition-style-of-borneo-ketebong-the-gendang-pampat/
_version_ 1817848739838033920
score 13.223943

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