Cover Image

The Sarawak ‘Tar’ for Hadrah Performance

This work was conducted using the PicoScope signal extraction procedure, which revealed remarkable insights regarding the belian wood and its application in Sarawak traditional ‘tar’ instrument. The ‘tar’ is a small drum made of wood and attached with goat skin. A hadrah performance is done with the...

Full description

Saved in:
Bibliographic Details
Main Authors: Aaliyawani E., Sinin, Sinin, Hamdan, Khairul Anwar, Mohamad Said, Marini, Sawawi, Gladys Tan, Jia Jia, Mohammad Jasni, Hipni
Format: Article
Language:English
Published: NC State University 2024
Subjects:
TJ Mechanical engineering and machinery
Online Access:http://ir.unimas.my/id/eprint/46286/1/The%20Sarawak%20%E2%80%98Tar%E2%80%99%20for%20Hadrah%20Performance.pdf
http://ir.unimas.my/id/eprint/46286/
https://bioresources.cnr.ncsu.edu/resources/the-sarawak-tar-for-hadrah-performance/#:~:text=The%20'tar'%20is%20a%20small,players%20called%20the%20hadrah%20group.
Tags: Add Tag
No Tags, Be the first to tag this record!
id my.unimas.ir-46286
record_format eprints
spelling my.unimas.ir-462862024-10-11T08:15:43Z http://ir.unimas.my/id/eprint/46286/ The Sarawak ‘Tar’ for Hadrah Performance Aaliyawani E., Sinin Sinin, Hamdan Khairul Anwar, Mohamad Said Marini, Sawawi Gladys Tan, Jia Jia Mohammad Jasni, Hipni TJ Mechanical engineering and machinery This work was conducted using the PicoScope signal extraction procedure, which revealed remarkable insights regarding the belian wood and its application in Sarawak traditional ‘tar’ instrument. The ‘tar’ is a small drum made of wood and attached with goat skin. A hadrah performance is done with the sound of the blow of the ‘tar’ and reciting poems praising Allah and the Prophet Muhammad by a group of players called the hadrah group. The ‘tar’ from belian wood had the highest pitch at 180 Hz i.e., F3# compared with the ‘tar’ from menggeris wood, which had the pitch D3# and A2 that also highlighted their importance in the Western scale. The overtones are not integer multiples of the fundamental frequency except for second and third overtones from ‘tar’ C (F2/F0 = 3 and F3/F0 = 4). Using Adobe Audition for Time Frequency Analysis (TFA) recordings for the ‘tar’, the data collection method provided insightful information. The communal efforts of practitioners, who are frequently grouped together, perpetuate the cultural heritage of hadrah. Essentially, by offering a thorough grasp of the intricate melodic details woven in hadrah’s cultural fabric, this research adds to the genre’s continuing heritage. NC State University 2024 Article PeerReviewed text en http://ir.unimas.my/id/eprint/46286/1/The%20Sarawak%20%E2%80%98Tar%E2%80%99%20for%20Hadrah%20Performance.pdf Aaliyawani E., Sinin and Sinin, Hamdan and Khairul Anwar, Mohamad Said and Marini, Sawawi and Gladys Tan, Jia Jia and Mohammad Jasni, Hipni (2024) The Sarawak ‘Tar’ for Hadrah Performance. BioResources, 19 (3). pp. 5288-5299. ISSN 1930-2126 https://bioresources.cnr.ncsu.edu/resources/the-sarawak-tar-for-hadrah-performance/#:~:text=The%20'tar'%20is%20a%20small,players%20called%20the%20hadrah%20group. DOI: 10.15376/biores.19.3.5288-5299
institution Universiti Malaysia Sarawak
building Centre for Academic Information Services (CAIS)
collection Institutional Repository
continent Asia
country Malaysia
content_provider Universiti Malaysia Sarawak
content_source UNIMAS Institutional Repository
url_provider http://ir.unimas.my/
language English
topic TJ Mechanical engineering and machinery
spellingShingle TJ Mechanical engineering and machinery
Aaliyawani E., Sinin
Sinin, Hamdan
Khairul Anwar, Mohamad Said
Marini, Sawawi
Gladys Tan, Jia Jia
Mohammad Jasni, Hipni
The Sarawak ‘Tar’ for Hadrah Performance
description This work was conducted using the PicoScope signal extraction procedure, which revealed remarkable insights regarding the belian wood and its application in Sarawak traditional ‘tar’ instrument. The ‘tar’ is a small drum made of wood and attached with goat skin. A hadrah performance is done with the sound of the blow of the ‘tar’ and reciting poems praising Allah and the Prophet Muhammad by a group of players called the hadrah group. The ‘tar’ from belian wood had the highest pitch at 180 Hz i.e., F3# compared with the ‘tar’ from menggeris wood, which had the pitch D3# and A2 that also highlighted their importance in the Western scale. The overtones are not integer multiples of the fundamental frequency except for second and third overtones from ‘tar’ C (F2/F0 = 3 and F3/F0 = 4). Using Adobe Audition for Time Frequency Analysis (TFA) recordings for the ‘tar’, the data collection method provided insightful information. The communal efforts of practitioners, who are frequently grouped together, perpetuate the cultural heritage of hadrah. Essentially, by offering a thorough grasp of the intricate melodic details woven in hadrah’s cultural fabric, this research adds to the genre’s continuing heritage.
format Article
author Aaliyawani E., Sinin
Sinin, Hamdan
Khairul Anwar, Mohamad Said
Marini, Sawawi
Gladys Tan, Jia Jia
Mohammad Jasni, Hipni
author_facet Aaliyawani E., Sinin
Sinin, Hamdan
Khairul Anwar, Mohamad Said
Marini, Sawawi
Gladys Tan, Jia Jia
Mohammad Jasni, Hipni
author_sort Aaliyawani E., Sinin
title The Sarawak ‘Tar’ for Hadrah Performance
title_short The Sarawak ‘Tar’ for Hadrah Performance
title_full The Sarawak ‘Tar’ for Hadrah Performance
title_fullStr The Sarawak ‘Tar’ for Hadrah Performance
title_full_unstemmed The Sarawak ‘Tar’ for Hadrah Performance
title_sort sarawak ‘tar’ for hadrah performance
publisher NC State University
publishDate 2024
url http://ir.unimas.my/id/eprint/46286/1/The%20Sarawak%20%E2%80%98Tar%E2%80%99%20for%20Hadrah%20Performance.pdf
http://ir.unimas.my/id/eprint/46286/
https://bioresources.cnr.ncsu.edu/resources/the-sarawak-tar-for-hadrah-performance/#:~:text=The%20'tar'%20is%20a%20small,players%20called%20the%20hadrah%20group.
_version_ 1814942145364099072
score 13.223943

Similar Items