Cover Image

Academy color encoding system (ACES) in the era of digital cinematography: A review on the implementation in polis evo two

Since the inception of digital cinematography, systemic colour management has been introduced from REC709 to REC2020, but not one colour management system that could be used universally. Thus, Academy Color Encoding System (ACES) was created, and it has become pivotal since its inception to unify al...

Full description

Saved in:
Bibliographic Details
Main Authors: Tan Teck Zee, M Fazmi Hisham
Format: Proceedings
Language:English
English
Published: Akademi Seni dan Teknologi Kreatif 2021
Subjects:
TR1-1050 Photography
Online Access:https://eprints.ums.edu.my/id/eprint/31941/1/Academy%20color%20encoding%20system%20%28ACES%29%20in%20the%20era%20of%20digital%20cinematography%2C%20A%20review%20on%20the%20implementation%20in%20polis%20evo%20two.%20ABSTRACT.pdf
https://eprints.ums.edu.my/id/eprint/31941/2/Academy%20Color%20Encoding%20System%20%28ACES%29%20in%20The%20Era%20of%20Digital%20Cinematography%2C%20A%20Review%20on%20The%20Implementation%20in%20Polis%20Evo%20Two.pdf
https://eprints.ums.edu.my/id/eprint/31941/
https://www.ivcctva.com/e-proceeding-full-paper
Tags: Add Tag
No Tags, Be the first to tag this record!
id my.ums.eprints.31941
record_format eprints
spelling my.ums.eprints.319412022-03-24T00:15:19Z https://eprints.ums.edu.my/id/eprint/31941/ Academy color encoding system (ACES) in the era of digital cinematography: A review on the implementation in polis evo two Tan Teck Zee M Fazmi Hisham TR1-1050 Photography Since the inception of digital cinematography, systemic colour management has been introduced from REC709 to REC2020, but not one colour management system that could be used universally. Thus, Academy Color Encoding System (ACES) was created, and it has become pivotal since its inception to unify all colour space available in motion pictures. Polis Evo Two (2018) was the first Malaysian film to use ACES from principal photography to Digital Cinema Package (DCP). This article would take the reader through the process taken by the researcher/cinematographer. Using a practice-based approach, this article hopes to share how ACES was implemented and solve some of the complex color disparities within the viewing platform. In light, this would help local cinematographers embrace ACES as an end-to-end pipeline for colour management. Akademi Seni dan Teknologi Kreatif 2021-11-20 Proceedings PeerReviewed text en https://eprints.ums.edu.my/id/eprint/31941/1/Academy%20color%20encoding%20system%20%28ACES%29%20in%20the%20era%20of%20digital%20cinematography%2C%20A%20review%20on%20the%20implementation%20in%20polis%20evo%20two.%20ABSTRACT.pdf text en https://eprints.ums.edu.my/id/eprint/31941/2/Academy%20Color%20Encoding%20System%20%28ACES%29%20in%20The%20Era%20of%20Digital%20Cinematography%2C%20A%20Review%20on%20The%20Implementation%20in%20Polis%20Evo%20Two.pdf Tan Teck Zee and M Fazmi Hisham (2021) Academy color encoding system (ACES) in the era of digital cinematography: A review on the implementation in polis evo two. https://www.ivcctva.com/e-proceeding-full-paper
institution Universiti Malaysia Sabah
building UMS Library
collection Institutional Repository
continent Asia
country Malaysia
content_provider Universiti Malaysia Sabah
content_source UMS Institutional Repository
url_provider http://eprints.ums.edu.my/
language English
English
topic TR1-1050 Photography
spellingShingle TR1-1050 Photography
Tan Teck Zee
M Fazmi Hisham
Academy color encoding system (ACES) in the era of digital cinematography: A review on the implementation in polis evo two
description Since the inception of digital cinematography, systemic colour management has been introduced from REC709 to REC2020, but not one colour management system that could be used universally. Thus, Academy Color Encoding System (ACES) was created, and it has become pivotal since its inception to unify all colour space available in motion pictures. Polis Evo Two (2018) was the first Malaysian film to use ACES from principal photography to Digital Cinema Package (DCP). This article would take the reader through the process taken by the researcher/cinematographer. Using a practice-based approach, this article hopes to share how ACES was implemented and solve some of the complex color disparities within the viewing platform. In light, this would help local cinematographers embrace ACES as an end-to-end pipeline for colour management.
format Proceedings
author Tan Teck Zee
M Fazmi Hisham
author_facet Tan Teck Zee
M Fazmi Hisham
author_sort Tan Teck Zee
title Academy color encoding system (ACES) in the era of digital cinematography: A review on the implementation in polis evo two
title_short Academy color encoding system (ACES) in the era of digital cinematography: A review on the implementation in polis evo two
title_full Academy color encoding system (ACES) in the era of digital cinematography: A review on the implementation in polis evo two
title_fullStr Academy color encoding system (ACES) in the era of digital cinematography: A review on the implementation in polis evo two
title_full_unstemmed Academy color encoding system (ACES) in the era of digital cinematography: A review on the implementation in polis evo two
title_sort academy color encoding system (aces) in the era of digital cinematography: a review on the implementation in polis evo two
publisher Akademi Seni dan Teknologi Kreatif
publishDate 2021
url https://eprints.ums.edu.my/id/eprint/31941/1/Academy%20color%20encoding%20system%20%28ACES%29%20in%20the%20era%20of%20digital%20cinematography%2C%20A%20review%20on%20the%20implementation%20in%20polis%20evo%20two.%20ABSTRACT.pdf
https://eprints.ums.edu.my/id/eprint/31941/2/Academy%20Color%20Encoding%20System%20%28ACES%29%20in%20The%20Era%20of%20Digital%20Cinematography%2C%20A%20Review%20on%20The%20Implementation%20in%20Polis%20Evo%20Two.pdf
https://eprints.ums.edu.my/id/eprint/31941/
https://www.ivcctva.com/e-proceeding-full-paper
_version_ 1760230959236513792
score 13.211869

Similar Items