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Bach and busoni essentials in a chaotic world

The study analyses the manifestation of structural change from the Bach Violin Chaconne (BWV1004, c.1720) to the Bach-Busoni piano transcription (c.1897). This article explores the use of two-dimensional music abstraction for vertical (pitch height) and horizontal (time) and its signal insignificant...

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Main Authors: Lee, Seow Phing, Ooi, Chong Heng Raymond, Cheong, Ku Wing
Format: Article
Published: 2021
Subjects:
M Music
Q Science (General)
Online Access:http://eprints.um.edu.my/35507/
https://www.scopus.com/inward/record.uri?eid=2-s2.0-85108653937&doi=10.15294%2fharmonia.v21i1.30152&partnerID=40&md5=f619732b649d3e464f37bed9a6534923
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spelling my.um.eprints.355072023-10-11T01:09:01Z http://eprints.um.edu.my/35507/ Bach and busoni essentials in a chaotic world Lee, Seow Phing Ooi, Chong Heng Raymond Cheong, Ku Wing M Music Q Science (General) The study analyses the manifestation of structural change from the Bach Violin Chaconne (BWV1004, c.1720) to the Bach-Busoni piano transcription (c.1897). This article explores the use of two-dimensional music abstraction for vertical (pitch height) and horizontal (time) and its signal insignificant identified bariolage sections in music. Bariolage excerpts are chosen for they are implied sounds captured in repeatability and recontextuality. The first part of the article offers an excerpt of the Bariolage from violin at bars (113-120) and its parallel piano transcription at bars (118-125). Significant expressions of registral change utilizing different voice parts (Soprano, Alto, Tenor) offer a wider expansion with piano. These excerpts were chosen after reviewing the original Bach Chaconne and its essentials in analytical aesthetics for the projection of beauty in symmetry-asymmetry-chaos in composition. This study captures the aesthetics of the beautiful from the original score of the violin Chaconne at (bars 89-96) and (bars 113-120) for Bach-Busoni piano transcription. Further, there are recommendations for future studies to explore vertical spaces and mathematical sequences embedded in the music in other sections. The findings of this study were implied through new music analytical formats to be applied in composition, pedagogy, and performance practice. © 2021, Universitas Negeri Semarang. All rights reserved. 2021 Article PeerReviewed Lee, Seow Phing and Ooi, Chong Heng Raymond and Cheong, Ku Wing (2021) Bach and busoni essentials in a chaotic world. Harmonia: Journal of Arts Research and Education, 21 (1). pp. 1-8. ISSN 1411-5115, DOI https://doi.org/10.15294/harmonia.v21i1.30152 <https://doi.org/10.15294/harmonia.v21i1.30152>. https://www.scopus.com/inward/record.uri?eid=2-s2.0-85108653937&doi=10.15294%2fharmonia.v21i1.30152&partnerID=40&md5=f619732b649d3e464f37bed9a6534923 10.15294/harmonia.v21i1.30152
institution Universiti Malaya
building UM Library
collection Institutional Repository
continent Asia
country Malaysia
content_provider Universiti Malaya
content_source UM Research Repository
url_provider http://eprints.um.edu.my/
topic M Music
Q Science (General)
spellingShingle M Music
Q Science (General)
Lee, Seow Phing
Ooi, Chong Heng Raymond
Cheong, Ku Wing
Bach and busoni essentials in a chaotic world
description The study analyses the manifestation of structural change from the Bach Violin Chaconne (BWV1004, c.1720) to the Bach-Busoni piano transcription (c.1897). This article explores the use of two-dimensional music abstraction for vertical (pitch height) and horizontal (time) and its signal insignificant identified bariolage sections in music. Bariolage excerpts are chosen for they are implied sounds captured in repeatability and recontextuality. The first part of the article offers an excerpt of the Bariolage from violin at bars (113-120) and its parallel piano transcription at bars (118-125). Significant expressions of registral change utilizing different voice parts (Soprano, Alto, Tenor) offer a wider expansion with piano. These excerpts were chosen after reviewing the original Bach Chaconne and its essentials in analytical aesthetics for the projection of beauty in symmetry-asymmetry-chaos in composition. This study captures the aesthetics of the beautiful from the original score of the violin Chaconne at (bars 89-96) and (bars 113-120) for Bach-Busoni piano transcription. Further, there are recommendations for future studies to explore vertical spaces and mathematical sequences embedded in the music in other sections. The findings of this study were implied through new music analytical formats to be applied in composition, pedagogy, and performance practice. © 2021, Universitas Negeri Semarang. All rights reserved.
format Article
author Lee, Seow Phing
Ooi, Chong Heng Raymond
Cheong, Ku Wing
author_facet Lee, Seow Phing
Ooi, Chong Heng Raymond
Cheong, Ku Wing
author_sort Lee, Seow Phing
title Bach and busoni essentials in a chaotic world
title_short Bach and busoni essentials in a chaotic world
title_full Bach and busoni essentials in a chaotic world
title_fullStr Bach and busoni essentials in a chaotic world
title_full_unstemmed Bach and busoni essentials in a chaotic world
title_sort bach and busoni essentials in a chaotic world
publishDate 2021
url http://eprints.um.edu.my/35507/
https://www.scopus.com/inward/record.uri?eid=2-s2.0-85108653937&doi=10.15294%2fharmonia.v21i1.30152&partnerID=40&md5=f619732b649d3e464f37bed9a6534923
_version_ 1781704476766240768
score 13.211869

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