Jung Chang's wild swans: Love as a political concept
This article explores the different forms of love which appear in a work which is part family memoir, part autobiography, and part literary fiction: Jung Chang’s Wild Swans: Three Daughters of China (1991). This exploration is underpinned by theories of love articulated first by Karl Marx and Alexan...
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Department of English, Faculty of Arts and Social Sciences, University of Malaya
2019
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my.um.eprints.237722020-02-13T02:11:43Z http://eprints.um.edu.my/23772/ Jung Chang's wild swans: Love as a political concept Pagan, Nicholas Osborne PR English literature This article explores the different forms of love which appear in a work which is part family memoir, part autobiography, and part literary fiction: Jung Chang’s Wild Swans: Three Daughters of China (1991). This exploration is underpinned by theories of love articulated first by Karl Marx and Alexandra Kollontai and later by Erich Fromm and Michael Hardt. In different ways these thinkers all point to the idea that love is not merely a private matter between two individuals but rather a social and political phenomenon. Fromm’s insistence that love changes according to historical and cultural circumstances is shown to be relevant throughout as Chang portrays love adapting to the vast political changes taking place in China from approximately 1924 (when her grandmother became a concubine) until 1976 (the death of Mao). Corresponding to a large extent to the life histories of the “three daughters of China” ─ Chang’s grandmother, Chang’s mother, and Chang herself ─ the article traces a distinctive movement through property love and family love to “winged Eros”-based love, “red love” and finally love as a decision. © 2019, University of Malaya. All rights reserved. Department of English, Faculty of Arts and Social Sciences, University of Malaya 2019 Article PeerReviewed Pagan, Nicholas Osborne (2019) Jung Chang's wild swans: Love as a political concept. SARE: Southeast Asian Review of English, 56 (2). pp. 102-115. ISSN 0127-046X https://sare.um.edu.my/article/view/21077 |
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This article explores the different forms of love which appear in a work which is part family memoir, part autobiography, and part literary fiction: Jung Chang’s Wild Swans: Three Daughters of China (1991). This exploration is underpinned by theories of love articulated first by Karl Marx and Alexandra Kollontai and later by Erich Fromm and Michael Hardt. In different ways these thinkers all point to the idea that love is not merely a private matter between two individuals but rather a social and political phenomenon. Fromm’s insistence that love changes according to historical and cultural circumstances is shown to be relevant throughout as Chang portrays love adapting to the vast political changes taking place in China from approximately 1924 (when her grandmother became a concubine) until 1976 (the death of Mao). Corresponding to a large extent to the life histories of the “three daughters of China” ─ Chang’s grandmother, Chang’s mother, and Chang herself ─ the article traces a distinctive movement through property love and family love to “winged Eros”-based love, “red love” and finally love as a decision. © 2019, University of Malaya. All rights reserved. |
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Article |
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Pagan, Nicholas Osborne |
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Pagan, Nicholas Osborne |
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Pagan, Nicholas Osborne |
title |
Jung Chang's wild swans: Love as a political concept |
title_short |
Jung Chang's wild swans: Love as a political concept |
title_full |
Jung Chang's wild swans: Love as a political concept |
title_fullStr |
Jung Chang's wild swans: Love as a political concept |
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Jung Chang's wild swans: Love as a political concept |
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jung chang's wild swans: love as a political concept |
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Department of English, Faculty of Arts and Social Sciences, University of Malaya |
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2019 |
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http://eprints.um.edu.my/23772/ https://sare.um.edu.my/article/view/21077 |
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1662755177758720000 |
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13.211869 |