Staff View: Confluence of costume and make up in defining communisim via independent documentary / Mohd Nor Shahizan Ali ...[et al.]

Confluence of costume and make up in defining communisim via independent documentary / Mohd Nor Shahizan Ali ...[et al.]

The usage of costume and make-up to convey the message of an independent documentary is seen as an added value for audiences to digest the producers’ idea. Using an independent documentary ‘The Last Communist (2006)’(TLC) work of Amir Muhammad, this study discusses the ‘reading’ of costume and make-...

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Main Authors:	Shahizan Ali, Mohd Nor, Mohamed Salim, Neesa Ameera, Mohd Khalis, Faryna
Format:	Article
Language:	English
Published:	Universiti Teknologi MARA, Kedah 2021
Subjects:	GT Manners and customs Customs relative to public and social life
Online Access:	https://ir.uitm.edu.my/id/eprint/47420/1/47420.pdf https://ir.uitm.edu.my/id/eprint/47420/ https://voa.uitm.edu.my/
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id	my.uitm.ir.47420
record_format	eprints
spelling	my.uitm.ir.474202022-06-01T12:29:58Z https://ir.uitm.edu.my/id/eprint/47420/ Confluence of costume and make up in defining communisim via independent documentary / Mohd Nor Shahizan Ali ...[et al.] Shahizan Ali, Mohd Nor Mohamed Salim, Neesa Ameera Mohd Khalis, Faryna GT Manners and customs Customs relative to public and social life The usage of costume and make-up to convey the message of an independent documentary is seen as an added value for audiences to digest the producers’ idea. Using an independent documentary ‘The Last Communist (2006)’(TLC) work of Amir Muhammad, this study discusses the ‘reading’ of costume and make-up based on the cultural, ideology and technological narrative message. The costume and make-up are highly posed and are set in descriptive meaning to make them relevant across the globe. They represent actual places or tragedy, and they document witness, which symbolically represents moods such as ‘contentment’ and ‘freedom’. This study implied a focus group discussion with eight informants (final year undergraduate students comprising three boys and five girls studying at Universiti Kebangsaan Malaysia) whom have watched ‘The Last Communist (2006)’. The topic of discussion is focused only on the costume and make-up. It is debatable that costume and make-up reading cannot be described adequately in formal terms only. Rather, they are considered to be visual representations of metaphorical thoughts or concepts and the changing of time and mass. The implication will then be the ability to add more natural presentation and make the independent documentary more appealing. This study suggests the selection of costume and make-up by a producer that represents cultural and technological elements and how they have affected the reading of the post-independence group, thereby making this independent documentary as a byproduct quietly injecting the historiography and the struggle of the communists Universiti Teknologi MARA, Kedah 2021 Article PeerReviewed text en https://ir.uitm.edu.my/id/eprint/47420/1/47420.pdf Confluence of costume and make up in defining communisim via independent documentary / Mohd Nor Shahizan Ali ...[et al.]. (2021) Voice of Academia (VOA), 17 (1). pp. 232-242. ISSN 2682-7840 https://voa.uitm.edu.my/
institution	Universiti Teknologi Mara
building	Tun Abdul Razak Library
collection	Institutional Repository
continent	Asia
country	Malaysia
content_provider	Universiti Teknologi Mara
content_source	UiTM Institutional Repository
url_provider	http://ir.uitm.edu.my/
language	English
topic	GT Manners and customs Customs relative to public and social life
spellingShingle	GT Manners and customs Customs relative to public and social life Shahizan Ali, Mohd Nor Mohamed Salim, Neesa Ameera Mohd Khalis, Faryna Confluence of costume and make up in defining communisim via independent documentary / Mohd Nor Shahizan Ali ...[et al.]
description	The usage of costume and make-up to convey the message of an independent documentary is seen as an added value for audiences to digest the producers’ idea. Using an independent documentary ‘The Last Communist (2006)’(TLC) work of Amir Muhammad, this study discusses the ‘reading’ of costume and make-up based on the cultural, ideology and technological narrative message. The costume and make-up are highly posed and are set in descriptive meaning to make them relevant across the globe. They represent actual places or tragedy, and they document witness, which symbolically represents moods such as ‘contentment’ and ‘freedom’. This study implied a focus group discussion with eight informants (final year undergraduate students comprising three boys and five girls studying at Universiti Kebangsaan Malaysia) whom have watched ‘The Last Communist (2006)’. The topic of discussion is focused only on the costume and make-up. It is debatable that costume and make-up reading cannot be described adequately in formal terms only. Rather, they are considered to be visual representations of metaphorical thoughts or concepts and the changing of time and mass. The implication will then be the ability to add more natural presentation and make the independent documentary more appealing. This study suggests the selection of costume and make-up by a producer that represents cultural and technological elements and how they have affected the reading of the post-independence group, thereby making this independent documentary as a byproduct quietly injecting the historiography and the struggle of the communists
format	Article
author	Shahizan Ali, Mohd Nor Mohamed Salim, Neesa Ameera Mohd Khalis, Faryna
author_facet	Shahizan Ali, Mohd Nor Mohamed Salim, Neesa Ameera Mohd Khalis, Faryna
author_sort	Shahizan Ali, Mohd Nor
title	Confluence of costume and make up in defining communisim via independent documentary / Mohd Nor Shahizan Ali ...[et al.]
title_short	Confluence of costume and make up in defining communisim via independent documentary / Mohd Nor Shahizan Ali ...[et al.]
title_full	Confluence of costume and make up in defining communisim via independent documentary / Mohd Nor Shahizan Ali ...[et al.]
title_fullStr	Confluence of costume and make up in defining communisim via independent documentary / Mohd Nor Shahizan Ali ...[et al.]
title_full_unstemmed	Confluence of costume and make up in defining communisim via independent documentary / Mohd Nor Shahizan Ali ...[et al.]
title_sort	confluence of costume and make up in defining communisim via independent documentary / mohd nor shahizan ali ...[et al.]
publisher	Universiti Teknologi MARA, Kedah
publishDate	2021
url	https://ir.uitm.edu.my/id/eprint/47420/1/47420.pdf https://ir.uitm.edu.my/id/eprint/47420/ https://voa.uitm.edu.my/
_version_	1735389600541573120
score	13.211869

Confluence of costume and make up in defining communisim via independent documentary / Mohd Nor Shahizan Ali ...[et al.]

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