Staff View: Interpreting motif and pattern in Mohd Nor Mahmud painting batik: pakai semutar kain lepas / Haslinda Abd Razak, Rafeah Legino and Baharim Samuri

Interpreting motif and pattern in Mohd Nor Mahmud painting batik: pakai semutar kain lepas / Haslinda Abd Razak, Rafeah Legino and Baharim Samuri

This study was analyzed based on the visual characteristic illustrated on Mohd Nor Mahmud’s painting. The artwork of Pakai Semutar Kain Lepas was inspired from the traditional Malay batik design. Visual analysis approach was chosen and highlighted through the application of line, shape, texture, bal...

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Main Authors:	Abd Razak, Haslinda, Legino, Rafeah, Samuri, Baharim
Format:	Conference or Workshop Item
Language:	English
Published:	2016
Subjects:	Special subjects (Technique, history and collections) Technique and materials
Online Access:	http://ir.uitm.edu.my/id/eprint/19872/1/PRO_HASLINDA%20ABD%20RAZAK%20M%2016.pdf http://ir.uitm.edu.my/id/eprint/19872/
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id	my.uitm.ir.19872
record_format	eprints
spelling	my.uitm.ir.198722018-09-21T09:22:00Z http://ir.uitm.edu.my/id/eprint/19872/ Interpreting motif and pattern in Mohd Nor Mahmud painting batik: pakai semutar kain lepas / Haslinda Abd Razak, Rafeah Legino and Baharim Samuri Abd Razak, Haslinda Legino, Rafeah Samuri, Baharim Special subjects (Technique, history and collections) Technique and materials This study was analyzed based on the visual characteristic illustrated on Mohd Nor Mahmud’s painting. The artwork of Pakai Semutar Kain Lepas was inspired from the traditional Malay batik design. Visual analysis approach was chosen and highlighted through the application of line, shape, texture, balance, repetition and space. Indeed, the analysis discovered that the artwork expended with verities of motifs design, which harmonized a unique pattern. The results were also stated about seventeen motifs that were formed from the floral and pucuk rebung (bamboo shoots) motif. In fact, the composition was significantly composed based on five vertical panels within the landscape format. This painting was one of the artwork that was created through batik methods. This approach is actually an option in how batik was explored into fine art practice and was displayed in a gallery. 2016 Conference or Workshop Item PeerReviewed text en http://ir.uitm.edu.my/id/eprint/19872/1/PRO_HASLINDA%20ABD%20RAZAK%20M%2016.pdf Abd Razak, Haslinda and Legino, Rafeah and Samuri, Baharim (2016) Interpreting motif and pattern in Mohd Nor Mahmud painting batik: pakai semutar kain lepas / Haslinda Abd Razak, Rafeah Legino and Baharim Samuri. In: Empowering Local Mind In Art Design & Cultural Herritage 3rd ISME International Colloquium 2016, 27 & 28 December 2016, Universiti Teknologi MARA, Melaka.
institution	Universiti Teknologi Mara
building	Tun Abdul Razak Library
collection	Institutional Repository
continent	Asia
country	Malaysia
content_provider	Universiti Teknologi Mara
content_source	UiTM Institutional Repository
url_provider	http://ir.uitm.edu.my/
language	English
topic	Special subjects (Technique, history and collections) Technique and materials
spellingShingle	Special subjects (Technique, history and collections) Technique and materials Abd Razak, Haslinda Legino, Rafeah Samuri, Baharim Interpreting motif and pattern in Mohd Nor Mahmud painting batik: pakai semutar kain lepas / Haslinda Abd Razak, Rafeah Legino and Baharim Samuri
description	This study was analyzed based on the visual characteristic illustrated on Mohd Nor Mahmud’s painting. The artwork of Pakai Semutar Kain Lepas was inspired from the traditional Malay batik design. Visual analysis approach was chosen and highlighted through the application of line, shape, texture, balance, repetition and space. Indeed, the analysis discovered that the artwork expended with verities of motifs design, which harmonized a unique pattern. The results were also stated about seventeen motifs that were formed from the floral and pucuk rebung (bamboo shoots) motif. In fact, the composition was significantly composed based on five vertical panels within the landscape format. This painting was one of the artwork that was created through batik methods. This approach is actually an option in how batik was explored into fine art practice and was displayed in a gallery.
format	Conference or Workshop Item
author	Abd Razak, Haslinda Legino, Rafeah Samuri, Baharim
author_facet	Abd Razak, Haslinda Legino, Rafeah Samuri, Baharim
author_sort	Abd Razak, Haslinda
title	Interpreting motif and pattern in Mohd Nor Mahmud painting batik: pakai semutar kain lepas / Haslinda Abd Razak, Rafeah Legino and Baharim Samuri
title_short	Interpreting motif and pattern in Mohd Nor Mahmud painting batik: pakai semutar kain lepas / Haslinda Abd Razak, Rafeah Legino and Baharim Samuri
title_full	Interpreting motif and pattern in Mohd Nor Mahmud painting batik: pakai semutar kain lepas / Haslinda Abd Razak, Rafeah Legino and Baharim Samuri
title_fullStr	Interpreting motif and pattern in Mohd Nor Mahmud painting batik: pakai semutar kain lepas / Haslinda Abd Razak, Rafeah Legino and Baharim Samuri
title_full_unstemmed	Interpreting motif and pattern in Mohd Nor Mahmud painting batik: pakai semutar kain lepas / Haslinda Abd Razak, Rafeah Legino and Baharim Samuri
title_sort	interpreting motif and pattern in mohd nor mahmud painting batik: pakai semutar kain lepas / haslinda abd razak, rafeah legino and baharim samuri
publishDate	2016
url	http://ir.uitm.edu.my/id/eprint/19872/1/PRO_HASLINDA%20ABD%20RAZAK%20M%2016.pdf http://ir.uitm.edu.my/id/eprint/19872/
_version_	1685649269918269440
score	13.211869

Interpreting motif and pattern in Mohd Nor Mahmud painting batik: pakai semutar kain lepas / Haslinda Abd Razak, Rafeah Legino and Baharim Samuri

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