Localizing Mimpi through the artistry of Orang Ulu motifs in the set design
The definite definition of scenography is debatable up until today. Despite the many interpretation and definitions given by theatre practitioners from all over the world, there are some categories of design under that lie under this term. They are scenic design, costume, lighting and sound. This re...
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Fakulti Sains Sosial dan Kemanusiaan, Universiti Kebangsaan Malaysia
2019
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Online Access: | http://journalarticle.ukm.my/19974/1/242-Article%20Text-338-1-10-20200326.pdf http://journalarticle.ukm.my/19974/ https://spaj.ukm.my/jws/index.php/jws/issue/view/11 |
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my-ukm.journal.199742022-10-01T16:01:50Z http://journalarticle.ukm.my/19974/ Localizing Mimpi through the artistry of Orang Ulu motifs in the set design Nur Syarafina Suhaimy, Nur Qasdina Jeeta Abdullah, The definite definition of scenography is debatable up until today. Despite the many interpretation and definitions given by theatre practitioners from all over the world, there are some categories of design under that lie under this term. They are scenic design, costume, lighting and sound. This research proposes to look for new ideas in creating the world of a play in scenic design of an intercultural theatre. This thesis aims to explore the adaptation of Sarawakian motifs, specifically Orang Ulu’s into the set design of Mimpi. Through the adaptation of the motifs into the set design of Mimpi, the data acquired are collected and analysed through the qualitative and quantitative approach. Fakulti Sains Sosial dan Kemanusiaan, Universiti Kebangsaan Malaysia 2019-09 Article PeerReviewed application/pdf en http://journalarticle.ukm.my/19974/1/242-Article%20Text-338-1-10-20200326.pdf Nur Syarafina Suhaimy, and Nur Qasdina Jeeta Abdullah, (2019) Localizing Mimpi through the artistry of Orang Ulu motifs in the set design. Jurnal Wacana Sarjana, 3 (3). pp. 1-16. ISSN 2600-9501 https://spaj.ukm.my/jws/index.php/jws/issue/view/11 |
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The definite definition of scenography is debatable up until today. Despite the many interpretation and definitions given by theatre practitioners from all over the world, there are some categories of design under that lie under this term. They are scenic design, costume, lighting and sound. This research proposes to look for new ideas in creating the world of a play in scenic design of an intercultural theatre. This thesis aims to explore the adaptation of Sarawakian motifs, specifically Orang Ulu’s into the set design of Mimpi. Through the adaptation of the motifs into the set design of Mimpi, the data acquired are collected and analysed through the qualitative and quantitative approach. |
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Article |
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Nur Syarafina Suhaimy, Nur Qasdina Jeeta Abdullah, |
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Nur Syarafina Suhaimy, Nur Qasdina Jeeta Abdullah, Localizing Mimpi through the artistry of Orang Ulu motifs in the set design |
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Nur Syarafina Suhaimy, Nur Qasdina Jeeta Abdullah, |
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Nur Syarafina Suhaimy, |
title |
Localizing Mimpi through the artistry of Orang Ulu motifs
in the set design |
title_short |
Localizing Mimpi through the artistry of Orang Ulu motifs
in the set design |
title_full |
Localizing Mimpi through the artistry of Orang Ulu motifs
in the set design |
title_fullStr |
Localizing Mimpi through the artistry of Orang Ulu motifs
in the set design |
title_full_unstemmed |
Localizing Mimpi through the artistry of Orang Ulu motifs
in the set design |
title_sort |
localizing mimpi through the artistry of orang ulu motifs
in the set design |
publisher |
Fakulti Sains Sosial dan Kemanusiaan, Universiti Kebangsaan Malaysia |
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2019 |
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http://journalarticle.ukm.my/19974/1/242-Article%20Text-338-1-10-20200326.pdf http://journalarticle.ukm.my/19974/ https://spaj.ukm.my/jws/index.php/jws/issue/view/11 |
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