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Empowering traditional heritage through angklung musical instruments: a case study in Malaysia

Angklung is a traditional musical heritage musical instrument originating in Indonesia, but around the 1930s, angklung began to take root and was performed by the people of Ponorogo from the West Java Islands in Johor, Malaysia. Angklung is used in conjunction with horse dance for some formal events...

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Main Authors: Muhammad Asyraf Mohd Bakri,, Siti Suhaily Surip,, Kamal Sabran,, Nurul Fazita Mohammad Rawi,
Format: Article
Language:English
Published: Penerbit Universiti Kebangsaan Malaysia 2021
Online Access:http://journalarticle.ukm.my/17478/1/47881-155102-1-SM.pdf
http://journalarticle.ukm.my/17478/
https://ejournal.ukm.my/ebangi/issue/view/1394
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spelling my-ukm.journal.174782021-10-13T01:46:46Z http://journalarticle.ukm.my/17478/ Empowering traditional heritage through angklung musical instruments: a case study in Malaysia Muhammad Asyraf Mohd Bakri, Siti Suhaily Surip, Kamal Sabran, Nurul Fazita Mohammad Rawi, Angklung is a traditional musical heritage musical instrument originating in Indonesia, but around the 1930s, angklung began to take root and was performed by the people of Ponorogo from the West Java Islands in Johor, Malaysia. Angklung is used in conjunction with horse dance for some formal events. In addition, only certain species of bamboo are used in the production of angklung. However, angklung musical instruments are still less played, just a formal program compared to other modern musical instruments. If examined in more depth, angklung musical instruments are able to produce pop songs, ballads, dangdut, jazz, traditional rhythms, and much more. There are two objectives to this study. The first objective is to identify the causes of angklung that have no place in society today. The second objective is to analyze and summarize the findings of the study. The method of this study uses content analysis through; websites, articles, theses, and newspapers for scientific information. The findings of this study found a lack of hereditary heritage of angklung production and game in Malaysia. This study can track the development of angklung musical instruments in Malaysia. In conclusion, angklung musical instruments are still accepted by the community but there are obstacles from the materials and makers of angklung. Penerbit Universiti Kebangsaan Malaysia 2021 Article PeerReviewed application/pdf en http://journalarticle.ukm.my/17478/1/47881-155102-1-SM.pdf Muhammad Asyraf Mohd Bakri, and Siti Suhaily Surip, and Kamal Sabran, and Nurul Fazita Mohammad Rawi, (2021) Empowering traditional heritage through angklung musical instruments: a case study in Malaysia. e-BANGI: Jurnal Sains Sosial dan Kemanusiaan, 18 (3). pp. 52-66. ISSN 1823-884x https://ejournal.ukm.my/ebangi/issue/view/1394
institution Universiti Kebangsaan Malaysia
building Tun Sri Lanang Library
collection Institutional Repository
continent Asia
country Malaysia
content_provider Universiti Kebangsaan Malaysia
content_source UKM Journal Article Repository
url_provider http://journalarticle.ukm.my/
language English
description Angklung is a traditional musical heritage musical instrument originating in Indonesia, but around the 1930s, angklung began to take root and was performed by the people of Ponorogo from the West Java Islands in Johor, Malaysia. Angklung is used in conjunction with horse dance for some formal events. In addition, only certain species of bamboo are used in the production of angklung. However, angklung musical instruments are still less played, just a formal program compared to other modern musical instruments. If examined in more depth, angklung musical instruments are able to produce pop songs, ballads, dangdut, jazz, traditional rhythms, and much more. There are two objectives to this study. The first objective is to identify the causes of angklung that have no place in society today. The second objective is to analyze and summarize the findings of the study. The method of this study uses content analysis through; websites, articles, theses, and newspapers for scientific information. The findings of this study found a lack of hereditary heritage of angklung production and game in Malaysia. This study can track the development of angklung musical instruments in Malaysia. In conclusion, angklung musical instruments are still accepted by the community but there are obstacles from the materials and makers of angklung.
format Article
author Muhammad Asyraf Mohd Bakri,
Siti Suhaily Surip,
Kamal Sabran,
Nurul Fazita Mohammad Rawi,
spellingShingle Muhammad Asyraf Mohd Bakri,
Siti Suhaily Surip,
Kamal Sabran,
Nurul Fazita Mohammad Rawi,
Empowering traditional heritage through angklung musical instruments: a case study in Malaysia
author_facet Muhammad Asyraf Mohd Bakri,
Siti Suhaily Surip,
Kamal Sabran,
Nurul Fazita Mohammad Rawi,
author_sort Muhammad Asyraf Mohd Bakri,
title Empowering traditional heritage through angklung musical instruments: a case study in Malaysia
title_short Empowering traditional heritage through angklung musical instruments: a case study in Malaysia
title_full Empowering traditional heritage through angklung musical instruments: a case study in Malaysia
title_fullStr Empowering traditional heritage through angklung musical instruments: a case study in Malaysia
title_full_unstemmed Empowering traditional heritage through angklung musical instruments: a case study in Malaysia
title_sort empowering traditional heritage through angklung musical instruments: a case study in malaysia
publisher Penerbit Universiti Kebangsaan Malaysia
publishDate 2021
url http://journalarticle.ukm.my/17478/1/47881-155102-1-SM.pdf
http://journalarticle.ukm.my/17478/
https://ejournal.ukm.my/ebangi/issue/view/1394
_version_ 1715190948684627968
score 13.211869

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