Dismantling of the dominant European discourse in the poetry of Jeanine Leane

Until very recently a marginalised voice in Australian literary studies, Australian Indigenous literature has obtained an important role in the articulation of Indigenous peoples’ political thought, constituting an indictment of white Australian racism, a recuperation of neglected Aboriginal hist...

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Main Author: Čerče, Danica
Format: Article
Language:English
Published: Penerbit Universiti Kebangsaan Malaysia 2020
Online Access:http://journalarticle.ukm.my/15721/1/37949-134989-1-PB.pdf
http://journalarticle.ukm.my/15721/
http://ejournals.ukm.my/gema/issue/view/1304
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spelling my-ukm.journal.157212020-11-18T06:36:32Z http://journalarticle.ukm.my/15721/ Dismantling of the dominant European discourse in the poetry of Jeanine Leane Čerče, Danica Until very recently a marginalised voice in Australian literary studies, Australian Indigenous literature has obtained an important role in the articulation of Indigenous peoples’ political thought, constituting an indictment of white Australian racism, a recuperation of neglected Aboriginal history, and a call for change. Based on the premise that literature can play an important role in both maintaining and disrupting the exercise of power, and written against the backdrop of post-colonial theory, the article deals with the collection of poems Dark Secrets: After Dreaming A.D. 1987-1961 (2010) by the contemporary Australian Indigenous author Jeanine Leane. Taking Leane’s poetry as exemplary of post-colonial textual resistance to colonialist representations, the article shows how the poet, relying on the “transgenerational blood memory” intervenes in the presupposed irreducible division between subjugating and subjugated cultures, that is, the assumptions about whiteness as a static privilege-granting category and a system of dominance upon which the logic of coloniality often stands. I argue that, by mobilising various techniques and strategies to challenge the reproduction of whiteness and affirm Indigenous Australians’ authentic, rather than an imposed cultural personality, Leane’s verse performs both personal and collective empowerment of Indigenous Australians, and represents an important site for the renegotiation of inter-racial relationships. Penerbit Universiti Kebangsaan Malaysia 2020-08 Article PeerReviewed application/pdf en http://journalarticle.ukm.my/15721/1/37949-134989-1-PB.pdf Čerče, Danica (2020) Dismantling of the dominant European discourse in the poetry of Jeanine Leane. GEMA ; Online Journal of Language Studies, 20 (3). pp. 58-69. ISSN 1675-8021 http://ejournals.ukm.my/gema/issue/view/1304
institution Universiti Kebangsaan Malaysia
building Tun Sri Lanang Library
collection Institutional Repository
continent Asia
country Malaysia
content_provider Universiti Kebangsaan Malaysia
content_source UKM Journal Article Repository
url_provider http://journalarticle.ukm.my/
language English
description Until very recently a marginalised voice in Australian literary studies, Australian Indigenous literature has obtained an important role in the articulation of Indigenous peoples’ political thought, constituting an indictment of white Australian racism, a recuperation of neglected Aboriginal history, and a call for change. Based on the premise that literature can play an important role in both maintaining and disrupting the exercise of power, and written against the backdrop of post-colonial theory, the article deals with the collection of poems Dark Secrets: After Dreaming A.D. 1987-1961 (2010) by the contemporary Australian Indigenous author Jeanine Leane. Taking Leane’s poetry as exemplary of post-colonial textual resistance to colonialist representations, the article shows how the poet, relying on the “transgenerational blood memory” intervenes in the presupposed irreducible division between subjugating and subjugated cultures, that is, the assumptions about whiteness as a static privilege-granting category and a system of dominance upon which the logic of coloniality often stands. I argue that, by mobilising various techniques and strategies to challenge the reproduction of whiteness and affirm Indigenous Australians’ authentic, rather than an imposed cultural personality, Leane’s verse performs both personal and collective empowerment of Indigenous Australians, and represents an important site for the renegotiation of inter-racial relationships.
format Article
author Čerče, Danica
spellingShingle Čerče, Danica
Dismantling of the dominant European discourse in the poetry of Jeanine Leane
author_facet Čerče, Danica
author_sort Čerče, Danica
title Dismantling of the dominant European discourse in the poetry of Jeanine Leane
title_short Dismantling of the dominant European discourse in the poetry of Jeanine Leane
title_full Dismantling of the dominant European discourse in the poetry of Jeanine Leane
title_fullStr Dismantling of the dominant European discourse in the poetry of Jeanine Leane
title_full_unstemmed Dismantling of the dominant European discourse in the poetry of Jeanine Leane
title_sort dismantling of the dominant european discourse in the poetry of jeanine leane
publisher Penerbit Universiti Kebangsaan Malaysia
publishDate 2020
url http://journalarticle.ukm.my/15721/1/37949-134989-1-PB.pdf
http://journalarticle.ukm.my/15721/
http://ejournals.ukm.my/gema/issue/view/1304
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score 13.211869