Re-actualisation of puppet characters in modern Indonesian fictions of the 21st century

Indonesian fiction works of the 21st century often intertextualise with puppet stories and characters. Puppet stories and characters, used as sources and references, inspire the creation of modern Indonesian fiction. Puppet stories are canonic works originating from mainstream Mahabharata and Rama...

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Main Authors: Nurgiyantoro, Burhan, Efendi, Anwar
Format: Article
Language:English
Published: Penerbit Universiti Kebangsaan Malaysia 2017
Online Access:http://journalarticle.ukm.my/11296/1/16705-54520-1-PB.pdf
http://journalarticle.ukm.my/11296/
http://ejournal.ukm.my/3l/issue/view/972
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spelling my-ukm.journal.112962018-01-21T15:07:09Z http://journalarticle.ukm.my/11296/ Re-actualisation of puppet characters in modern Indonesian fictions of the 21st century Nurgiyantoro, Burhan Efendi, Anwar Indonesian fiction works of the 21st century often intertextualise with puppet stories and characters. Puppet stories and characters, used as sources and references, inspire the creation of modern Indonesian fiction. Puppet stories are canonic works originating from mainstream Mahabharata and Ramayana, thematically narrating the heroism of good characters in defeating evil characters. Reactualisation of puppet stories and characters in literature is a redefinition and contextualisation as a response to the chalenges of time. Analyses of the intertextuality between Indonesian fiction and puppet stories and characters show the following things. First, Indonesian fiction is seen as intensively intertextualising with puppet stories and characters. Many puppet characters that are actualised originate more from the mainstream Mahabharata than from the mainstream Ramayana. Characters with good traits are made protagonists and characters with evil traits are made antagonists. Second, Indonesian fiction uses the identities of puppet characters as name references. References of puppet character identities take the form of hypograms of names with characters, names without characters, and characters without names. The most intensive identity referencing of puppet characters in the form of hypogramming to continue convention is naming with characters. Third, Indonesian fiction uses puppet stories and characters as cultural references. Puppet hypograming is taken to function as cultural references, comparison purposes, means of children education, and reincarnation sources in the Hindu religion. Cultural referencing of puppets is more efficient and communicative as it is typological, following the mainstreams and exact. Penerbit Universiti Kebangsaan Malaysia 2017 Article PeerReviewed application/pdf en http://journalarticle.ukm.my/11296/1/16705-54520-1-PB.pdf Nurgiyantoro, Burhan and Efendi, Anwar (2017) Re-actualisation of puppet characters in modern Indonesian fictions of the 21st century. 3L; Language,Linguistics and Literature,The Southeast Asian Journal of English Language Studies., 23 (2). pp. 141-153. ISSN 0128-5157 http://ejournal.ukm.my/3l/issue/view/972
institution Universiti Kebangsaan Malaysia
building Perpustakaan Tun Sri Lanang Library
collection Institutional Repository
continent Asia
country Malaysia
content_provider Universiti Kebangsaan Malaysia
content_source UKM Journal Article Repository
url_provider http://journalarticle.ukm.my/
language English
description Indonesian fiction works of the 21st century often intertextualise with puppet stories and characters. Puppet stories and characters, used as sources and references, inspire the creation of modern Indonesian fiction. Puppet stories are canonic works originating from mainstream Mahabharata and Ramayana, thematically narrating the heroism of good characters in defeating evil characters. Reactualisation of puppet stories and characters in literature is a redefinition and contextualisation as a response to the chalenges of time. Analyses of the intertextuality between Indonesian fiction and puppet stories and characters show the following things. First, Indonesian fiction is seen as intensively intertextualising with puppet stories and characters. Many puppet characters that are actualised originate more from the mainstream Mahabharata than from the mainstream Ramayana. Characters with good traits are made protagonists and characters with evil traits are made antagonists. Second, Indonesian fiction uses the identities of puppet characters as name references. References of puppet character identities take the form of hypograms of names with characters, names without characters, and characters without names. The most intensive identity referencing of puppet characters in the form of hypogramming to continue convention is naming with characters. Third, Indonesian fiction uses puppet stories and characters as cultural references. Puppet hypograming is taken to function as cultural references, comparison purposes, means of children education, and reincarnation sources in the Hindu religion. Cultural referencing of puppets is more efficient and communicative as it is typological, following the mainstreams and exact.
format Article
author Nurgiyantoro, Burhan
Efendi, Anwar
spellingShingle Nurgiyantoro, Burhan
Efendi, Anwar
Re-actualisation of puppet characters in modern Indonesian fictions of the 21st century
author_facet Nurgiyantoro, Burhan
Efendi, Anwar
author_sort Nurgiyantoro, Burhan
title Re-actualisation of puppet characters in modern Indonesian fictions of the 21st century
title_short Re-actualisation of puppet characters in modern Indonesian fictions of the 21st century
title_full Re-actualisation of puppet characters in modern Indonesian fictions of the 21st century
title_fullStr Re-actualisation of puppet characters in modern Indonesian fictions of the 21st century
title_full_unstemmed Re-actualisation of puppet characters in modern Indonesian fictions of the 21st century
title_sort re-actualisation of puppet characters in modern indonesian fictions of the 21st century
publisher Penerbit Universiti Kebangsaan Malaysia
publishDate 2017
url http://journalarticle.ukm.my/11296/1/16705-54520-1-PB.pdf
http://journalarticle.ukm.my/11296/
http://ejournal.ukm.my/3l/issue/view/972
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score 13.211869