Sound Art in Malaysia from a Malaysian Sound Artist Perspective
Early exploration of the use of computers in Musical Instrument Digital Interface (MIDI), somehow allowed me to venture further into the domain of sound. Nothing much was known or noted in terms of the notion or historical perspectives of electroacoustic music in Malaysia. Unlike in the West, our m...
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| Main Author: | |
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| Format: | Article |
| Language: | en |
| Published: |
Malaysian Music Journal
2013
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| Subjects: | |
| Online Access: | http://ir.unimas.my/id/eprint/4388/1/Hasnizam.pdf http://ir.unimas.my/id/eprint/4388/ |
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| Summary: | Early exploration of the use of computers in Musical Instrument Digital Interface (MIDI), somehow allowed me to venture further into the domain of sound. Nothing much
was known or noted in terms of the notion or historical perspectives of electroacoustic music in Malaysia. Unlike in the West, our music industry accommodated Western
music, particularly popular music, but not experimental or electroacoustic music. The advancement in computer technology in music applications introduced new creative
ideas, and its democratization permitted more creative exploration, technically and aesthetically. This paper is a recollection of the long journey of a Malaysian composer
venturing into electroacoustic music. |
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